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But letting him keep that spirit would mean losing pace for the franchise. Po is not a leader, he's not even a hero, he's just a guy who does what he can because his heart tells him so. It's where the pursuit of a dream was replaced with a job. The problems began when Po was raised to the supreme position. Po's power was in finally letting himself pursue the dream he's been having on his own for so long, and in how a true dream can overcome any obstacle in its way. First film's Po was so great because he was a classic "loser with a dream" type of character: confined in his bleak reality but refusing to accept his destiny. The villain's complexity became the foundation on which the rest of the story could develop.
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So it's no wonder that my greatest wish for every next KFP movie was to have him back somehow. One of the reasons behind the first film's excellence was Tai Lung, a character so intense, conflicted and deeply rooted in the history of the KFP universe, that his story managed to combine the vibes of two great confrontations: Obi-Wan vs Darth Vader and Darth Vader vs Luke.
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The same rule actually applies to just about any story with some kind of confrontation, with the best of such stories having villains which you even want to relate to. We learned so much about diversity and creativity.As a certain character once said, a James Bond movie is only as good as the villain. "We spent two weeks at the studio in an amazing and immersive experience. "This exhibit is so special to me," says Chris Harris, director of exhibitions and touring at ACMI.
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Try your hand at animating your own short sequence with characters and scenes you design on a digital animation kiosk using the same technology and software used by the Dreamworks animators. When the journey through the Dreamworks Animation show has seemingly concluded and there are no more rooms to explore, take the time to visit the Drawing Room. The "World" portion of the exhibition showcases how each Dreamworks film gets its distinct look and feel through the process of inspiration and detailed research. Dialogue is written and legendary scenes, like Shrek and Donkey's first encounter, are pitched and fleshed out before the animation begins. Once the characters are created, artists, directors, writers and producers take attendees through the step-by-step journey of creating a digital storyboard. Scattered above the exhibits are audio domes that play interviews from illustrators, animators and production designers. From that sketch comes a carefully carved marquette, a sculptor's small preliminary model of character design. The characters start as a rough sketch on a piece of paper - jagged lines and vague ideas of what the character's personality will entail are thrown down, awaiting further research. It's designed to take attendees through the process of creating a full-fledged story, starting with how the iconic characters from childhood, like Toothless the Dragon, Po the Kung Fu Panda and Puss in Boots, were created. T he exhibition is split into four main sections: character, story, world and the drawing room. "There are so many pieces and moving parts our team did such an incredible job making the vision come to life right before our eyes." "There aren't enough words to express how amazing this exhibit truly is," Jessup says. Sculptures and tables rest low to the ground so young eyes can easily gaze upon the stories unfolding before them. Research for The Croods is laid out on a desk, showing all who pass by how the setting was developed from photos of desert landscapes. Shrek is shown in his preliminary stages: covered in boils and looking much more wrinkly than usual.
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Every wall has been turned into a physical storyboard of various Dreamworks movies. The exhibit takes up all but two rooms inside of the MAC's main exhibition space.
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It arrived a week late due to port issues, but we're just so thrilled that it's here." "I've been in the field for 27 years, and I've never shipped an exhibition by boat. "This has been an amazing process, getting this extraordinary exhibition all the way to Spokane from Australia," says Wes Jessup, executive director of the MAC.
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Now, because of scheduling conflicts due to the COVID-19 pandemic, the MAC in Spokane has the honor of being the first location in the United States to host Dreamworks Animation: The Exhibition- The Journey from Sketch to Screen. The show dates to 2014, having appeared in Singapore, South Korea, Mexico, Brazil, Taiwan and many other places in the years since.